SEOUL, January 19 (AJP) - For Park Seo-joon, returning to the romance genre after seven years with, "Waiting for Gyeong-do" was a project that demanded full embracement of character’s life.
Following the timeline of protagonist "Lee Gyeong-do," who continues to live with the same feelings even after two relationships at the ages of twenty and twenty-eight, the narrative goes beyond a simple reunion melodrama. Instead, it asks how the emotion of love is endured, accumulated, and carried over time.
“Being able to portray Gyeong-do was, a very rewarding experience. I believed that 'Waiting for Gyeong-do' relies heavily on the shared narrative between two protagonists, and the real question was how deeply we could convey the narrative. More over, It was a project that encourages you to think a bit more deeply about the idea of love.”
For Park Seo-joon, "Waiting for Gyeong-do" was a project where the process mattered more than the result. Instead of dramatic moments, the focus was on emotional nuance, building meaning through small, gradual changes — a process that demanded great nuance from an actor's standpoint.
“I feel like it ended well. This was a project where emotional expression was incredibly important, therefore, I tried to approach it as delicately as possible, and in that process, I think I was able to give it my all. I have no regrets. I feel like this is a work I poured everything I could into.”
Waiting for Gyeong-do also marked Park Seo-joon’s return to the romance genre after seven years. Actor addressed, what drew him to the project was not the milestone itself, but the story. The narrative, which spans a long passage of time, offered a fresh creative stimulus for him as an actor.
“To be honest, I didn’t really think about how many years it had been since I last participated in a romance project. There are so many different kinds of romance. What grasped my attention the most, was that the story depicts a long period of time. I felt there was something meaningful about the way the narrative lays out the protagonist's life over those years.”
After completing the shoot, Park Seo-joon realized the emotional density woven into the project while looking aback at the project.
“After watching all 12 episodes, I realized there was far more in it than I had expected,” adding "scenes that you might simply pass over if you look only at the events all had meaning when viewed through the characters’ emotions. In that sense, it was a project that made me think a lot as an actor.”
Although Park Seo-joon mentioned, he did not want to speak in terms of numbers, "Waiting for Gyeong-do" opened with a 2.7 percent viewership rating and ended at 4.7 percent. For Park Seo-joon, who sparked a phenomenon with "Itaewon Class," the ratings were admittedly disappointing. Given the high expectations surrounding his first romance drama in seven years, a sense of bitterness was unavoidable.
“From the standpoint of those who worked on it, you want more people to watch it. It’s certainly a story that deserves higher viewing. Since there haven’t been many projects recently that deal with such a lengthy narrative, I think it ultimately comes down to viewers taste. If I may carefully wish for something, i personally believe 'Waiting for Gyeong-do' has a lot of potential to be brought up often by people. I don’t think the plot of 'Waiting for Gyeong-do' would be forgotten that easily.”
By portraying Lee Gyeong-do, Park Seo-joon took on the challenge of embodying a single character across his twenties and thirties. In a story that moves back and forth in time, the decision for one actor to play different stages of protagonist's life risked appearing contrived. Actor addressed that he decided early on that he would portray both young and old version of the characters himself.
“I felt it was important that I portray those differences myself,” adding “Because the timeline moves back and forth, I suggested that I should be the one acting in two different era and the director shared the same view. I was grateful for the opportunity, and I felt confident because those were years I’ve actually lived. While I did wonder whether I could convincingly convey my twenties externally, the difference between who I was then and who I am now is clear. I wanted to express that difference to show the passage of time, while preserving one consistent core in Gyeong-do.”
Moving between the character’s twenties and thirties, Park Seo-joon focused consistency instead of changes. Actor explained that he wanted to convey the passage of time through emotion and attitude, rather than through physical transformation.
“I felt it was important not to make drastic changes to my appearance, even down to details like hairstyles,” adding “Consistency also comes through externally. At his core, Gyeong-do is a character whose love for Ji-woo never changes, and that emotional stance was what mattered most. For the role I prepared physically and mentally, however the most important factor was to keep the emotion steady. .”
Having spent years watching reporters up close, Park Seo-joon said the role of the deputy editor of entertainment division felt unfamiliar, however not entirely foreign. He added that the sense conveyed by the office environment itself played an important role in the project.
“Even down to details like the computer, I thought about what felt appropriate for the role,” adding “It was my first time acting in an office setting, although I haven’t spent much time in offices myself, I felt the atmosphere of the space was important. The moment I sat down, I had a clear sense of being a reporter. There’s a brief scene where I watch a drama on a monitor, and I imagined that reporters might do something like that while working on articles. Through the interview process, the role didn’t feel far removed from my own experience. I’ve attended many production presentations, and early in my career I even visited newspaper companies directly for interviews, so approaching the role didn’t feel particularly difficult.”
When asked about whether his perspective on reporters had changed, Park Seo-joon responded with a smile, candidly reflecting that what had once been curiosity had now turned into understanding.
“I used to be very curious, I wondered how the same words could be presented so differently. But now, I understand it. I think it’s something that can happen, and I don’t have any bad feelings about it at all anymore."
When asked about how he chooses his projects and his future direction, Park Seo-joon responded with “Instead of expanding the field I tend to focus on stories that I can portray now.” Rather than aiming to broaden his spectrum, he appeared more focused on prioritizing stories that align with his current age and emotional state.
“Saying ‘expanding my spectrum’ sounds a bit grand to me. What mattered most was what I could do at this point in my life. After finishing this project, I found myself wanting to tell another story. Instead of planning things too far ahead, I want to go with whatever genuinely interests me at the moment. Spending about two years on 'Gyeongseong Creature' also made me naturally gravitate toward stories that feel more grounded in reality than that kind of genre.”
When asked whether there was a role or moment he is waiting for, Park Seo-joon offered a candid reflection on age, revealing a clear sense of expectation about his forties.
“My forties,” adding “People often say men truly begin at 40, but for now, it still feels like I’m preparing. Personally, I think that feeling will come somewhere between 40 and 43. One reason I haven’t gravitated toward noir is that I felt I looked too young for it — that it wouldn’t suit me. But at that age, I think it might. The range of choices could change: the projects I can challenge and the stories I can appear in may be different from now. And romance at that stage will likely be completely different as well.”
Copyright ⓒ Aju Press All rights reserved.