Actor Jang Hye-jin on 'Number One,' Reuniting With Choi Woo-shik and Playing a Mother Again

Actor Jang Hye-jin, who left a lasting impression on global audiences with the film 'Parasite,' has since moved between movies, TV dramas and theater, building a reputation for grounded performances. Often cast as a mother, she has approached each role with a different emotional texture. In 'Number One,' she returns as Eunsil, a mother who quietly watches over her son, Hamin. Her restrained performance supports the film’s tone as Eunsil endures a major loss without giving up on life.

"People say my acting feels like real life, and I think that’s partly because I’m actually a mom," Jang said. "Life gives you a wider range. Even if I say, 'I don’t want to play moms,' I’ve already lived as a mom, and that naturally comes through. When I look at my older work, it was clean and sharp. As I’ve gotten older, I joke, 'Life makes me an actor.' I like approaching acting comfortably rather than forcing it. In the end, I think I act based on myself."

In the film, Hamin sees a number drop each time he eats a home-cooked meal, and as it falls, he senses his mother’s end is nearing. Jang said the device of "seeing a number" felt less like fantasy than a harsher version of reality.

"In real life, you can’t see a number," she said. "But my mom’s number is going down, too — it’s just not in front of our eyes. We don’t even know how many are left. It’s cruel, but maybe that’s why you can do your best. You know there’s an end. It’s not 'We’ll meet tomorrow.' You think today could be the last."
A Busan native, Jang said she wrestled with how much dialect to use, trying to balance authenticity with clarity.

"If I speak in a real Busan dialect, people say, 'What are you saying?'" she said. "The hardest part was deciding how much to use so people could still understand. I also worried people would think, 'She’s from Busan and that’s all she can do?' After talking with the production company’s CEO, we decided, 'Let’s just do it. If people don’t understand, they don’t understand, and if they say Seoul speech got mixed in, it can’t be helped.' Regional feeling is something you absorb growing up."

After 'Parasite,' Jang and actor Choi Woo-shik reunite on screen again as mother and son. She said their prior experience let them skip the usual getting-to-know-you phase and focus immediately on acting.

"You might think that’s why they cast us, but I see it as its own thing," she said. "'Parasite' was huge, and this film feels like a different story being made. Because it’s our second time, it’s comfortable. We don’t have to figure out what kind of person the other is, or whether their rhythm is fast or slow. Watching Woo-shik again, I thought he’d gained a lot of know-how. Sometimes I’d look at the monitor and think, 'I want to do it like that.' He also seems to feel more responsibility on set and takes care of people around him. A lot changed in a few years — in a good way. And he looks exactly like my son, which really helped me immerse myself. He really does!" 
 
Jang, a first graduating class alum of the Korea National University of Arts’ School of Drama, returned to her hometown in 1998 and lived away from acting for a time. She resumed acting in 2007 through director Lee Chang-dong’s film 'Secret Sunshine,' but said it still took years to become widely known.

"I decided I wanted to act before I even started elementary school," she said. "I was deeply moved after seeing 'Ben-Hur' in a theater. In college, I’d watch seniors act and cry and laugh — they looked amazing. Making people laugh and cry on TV is like comforting their hearts. Acting was so fun, and expressing my emotions was fun. But reality hit, and acting stopped being fun. I took about nine years off, and then I started again with Lee Chang-dong’s 'Secret Sunshine.' It felt like my blood was flowing again. I realized I was the one who didn’t believe in myself. The joy of being on set was huge."

She said the path did not open immediately after 'Secret Sunshine.' She spent years in small roles and, while raising a child, considered other options. Even now, she said she approaches each project as if it could be her last.

"I thought I’d do well after 'Secret Sunshine,' but it didn’t work that way," she said. "I did small roles for nearly 10 years, and I thought, 'I’ve done enough — should I focus on raising my child?' Even now, I feel similar. I work thinking, 'This is the last one.' If there’s too much, it’s overwhelming and you get tired of it. Thinking it’s the last makes me do my best and focus more. That’s why it’s more fun every time."
Asked about several big films opening ahead of the Lunar New Year holiday, Jang said she thought less about competition than about rebuilding momentum for Korean cinema.

"There’s a good restaurant next to another good restaurant," she said. "Like successful people next to successful people, Korean films are also seeing hits these days, like 'Moshuhnal Uri.' I hope it all builds together and creates good synergy. I hope people find the fun of going to theaters again. I don’t like leaving the house, either. But the emotion you felt in theaters as a kid, being startled by loud sound — those are things you only get there. Even the air where you’re aware of hiding or showing your feelings is something you only feel in a theater. With three films coming out together, I hope people rediscover that."

Asked what she hopes for as an actor, Jang said she wants to be someone who shares the pains and joys of the same era — an actor audiences feel grateful to have alongside them.

"I want to be an actor who always walks with people," she said. "Someone who can share the same pain and the same joy in the same time. I once saw the phrase, 'Thank you for being in the same era,' and I thought, 'I want to be that kind of actor.' Not a star, but someone who feels like a friend."