Editor’s Note — As BTS prepares to return as a full seven-member act with a new album set for March 20 and an open-stage performance at Gwanghwamun on March 21, following a near four-year hiatus for rotational military service, AJP revisits the group’s 13-year trajectory. This series reexamines BTS’s history, music, performance identity and enduring appeal. The sixth installment traces the roots and growth of Jimin.
SEOUL, February 23 (AJP) - BTS member Jimin has surpassed 2.3 billion cumulative streams on Spotify with his solo track “Who,” according to the platform’s chart dated Feb. 19. The milestone came 581 days after the song’s release on July 19, 2024, making him the first Asian solo artist without a Western collaboration to reach the figure.
Even 19 months after release, “Who” continues to chart — ranking No. 54 on Spotify’s Daily Top Songs Global chart and No. 1 in South Korea. His second solo album “Muse” has also crossed 3.8 billion cumulative streams, becoming the fastest Korean-language album to do so and the first Korean solo album to exceed that threshold.
In the United States, “Who” spent 33 weeks on the Billboard Hot 100, the longest run for a K-pop male soloist, while “Muse” remained on the Billboard 200 for 34 weeks.
The numbers suggest durability. The backstory suggests design.
Born in 1995, Jimin (Park Jimin) entered Busan Arts High School as the top-ranked student in its modern dance department despite having trained in contemporary dance for less than a year. In 2012, he passed Big Hit Entertainment’s regional audition as its sole successful candidate from Busan and moved to Seoul. After a six-month trainee period — the shortest among BTS members — he debuted as the group’s final addition.
Dance remains foundational to his identity. His control of line, balance and breath — visible in solo stages such as “Lie,” “Filter” and major award-show performances — reflects formal training rarely emphasized in idol narratives. His 2019 solo performance at the Melon Music Awards later inspired visual artworks exhibited at the Seoul Arts Center, while international figure skaters incorporated his choreography into competitive and touring programs.
From performance to authorship
Jimin participated in writing and composing every track on his first solo album “Face,” released in March 2023. For “Muse,” released in July 2024, he contributed to the majority of the tracks. His 2018 self-composed song “Promise” set a Guinness World Record for the most-streamed track within 24 hours on SoundCloud at the time, and he later became the fastest Korean solo artist to surpass one billion Spotify streams.
Beyond charts and credits, his influence has extended outside music. Filmmaker Gus Van Sant once cited Jimin as a potential collaborator, noting his “peaceful” presence.
His impact has also reached professional sport. Japanese Olympic champion Yuzuru Hanyu referenced Jimin’s movements from BTS’s “Dynamite” during a 2021 ice show and later said he studied his choreography. At the international Star on Ice tour, ice dancers Misato Komatsubara and Tim Koleto performed to “Filter,” incorporating elements of his styling and gestures.
Fashion media have highlighted his gender-neutral styling and blend of traditionally masculine and soft aesthetics as reflective of shifting global beauty standards.
Luxury houses have also taken notice. Jimin was named a global ambassador for Dior, while The Business of Fashion included him in its “BoF 500” list in 2019.
Jimin enlisted for mandatory military service in December 2023 and was discharged in June 2025. Yet his streaming figures did not decline during his absence. Instead, they largely stabilized.
Behind his 2.3 billion Spotify streams lies a path that runs from a dance studio in Busan to global arenas, competitive ice rinks and algorithm-driven charts.
As BTS approaches reunion activities, his solo career appears less like a side project and more like a parallel axis — built on technique, authorship and a presence that moves fluidly across disciplines.
The next installment will focus on V.
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