Korea’s Hwarang Art Fair to Open at Record Scale With 169 Galleries

By Yoon Juhye Posted : March 17, 2026, 15:06 Updated : March 17, 2026, 15:06
View of the 2025 Hwarang Art Fair. [Photo provided by the Korea Galleries Association]

South Korea’s longest-running art fair, the Hwarang Art Fair, will return this spring at its largest scale yet, with 169 leading domestic galleries taking part.
 
Lee Seong-hoon, chairman of the Korea Galleries Association, said at a news conference Tuesday at the Seoul Press Center that the fair will “spotlight 19 artists through expanded solo booths.” He added, “We have prepared docent programs and special exhibitions so visitors can appreciate the works more deeply.”
 
 
Kim Min-jung, “Zip,” mixed media on hanji, 90×130 cm, 2025. [Photo provided by Gallery Hyundai]
The fair, now in its 44th year, is widely seen as a bellwether for the country’s art market and a major event that helps set the tone for the year. It will run April 8-12 at COEX in Seoul. Tickets have been on sale since March 9 through the fair’s official website.

Major galleries including Gana Art, Kukje Gallery, Gallery Hyundai, Johyun Gallery, Hakgojae and PKM will participate, joined by newer galleries that opened after the 2010s, organizers said.
 
Gallery Hyundai will show works by Dansaekhwa master Chung Sang-hwa, who died earlier this year, and by Lee Kang-so, regarded as a leading figure in experimental art. Samter Gallery will present works by Dansaekhwa masters Park Seo-bo and Yun Hyong-keun, along with pieces by young Chinese abstract painter Chen Lizhu.
 
Kim Se-eun, “Folding Painting — Line for What’s Next,” water-soluble oil paint and cement pigment on canvas, 210×147×3 cm, 2023. [Photo provided by Kukje Gallery]

Kukje Gallery plans to show works by Zhang Peili, who held a solo exhibition at its Seoul space last year, as well as Korean Canadian artist Lotus Kang and emerging Korean artists including Park Jin-a, Kim Se-eun and Kim Young-na. Gallery Sklo will present works by Shin Sang-ho, described as a pioneer of contemporary ceramics, along with Lee Sang-min, Kim Nam-doo and Park Sung-hoon. Sun Gallery will show works by Woo Byung-yoon, and Keumsan Gallery will present works by Lee Yoon-jung.
 
Jung Hyun, “Untitled,” painted bronze, edition of 16, 50×25×31.5 cm, 2025. [Photo provided by PKM Gallery]


The association is also marking its 50th anniversary with added programming aimed at drawing more visitors. The “solo booth” section, launched last year and drawing strong interest, will feature 19 galleries focusing on a single artist each. Participating artists include Jung Hyun, Moon Hyung-tae, Gil Woo-jung, Woo Byung-chul, Huai Ying and Patrick Hughes.
 
Jung Jin, “Gap_Encounter,” variable installation with the artist’s knitted work, oil and acrylic on canvas, 2×3 m, 2025. [Photo provided by the Korea Galleries Association]


A separate special exhibition will look back at the Korea Galleries Association’s history and the evolution of the country’s art market. Organizers said it will display materials including the association’s magazine Hwarang Chunchu, early Hwarang Art Fair catalogs, press clippings on the art market and previously unreleased photographs. The exhibition will also feature interviews with seven former association chairmen, tracing the group’s growth, changes in the art market and key turning points.
 
Moin Gallery. [Photo provided by the Korea Galleries Association] 
Meanwhile, the association will participate for a second straight year in Expo Chicago 2026, running April 9-12. Twelve major Korean galleries will present more than 250 works by artists representing contemporary Korean art. In Chicago, the second stop of the overseas traveling exhibition of the Lee Kun-hee Collection, titled “Korean National Treasures: Korean Art 2000 Years,” is currently on view at the Art Institute of Chicago.
 
Lee said of the second consecutive year of participation that he felt “Korean galleries raised the level of the Chicago art fair.” He said the association is exploring ways to expand into overseas markets including Singapore. “It’s true that going overseas comes with a heavy financial burden,” he said, adding that he expects government support to expand once the Art Promotion Act takes effect.
 



* This article has been translated by AI.

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