At the center of the project is Kim Ji-ae, a director at Amaze. She has directed VR concert films including Tomorrow X Together’s “Heart Attack,” ATEEZ’s “Light the Way” and TWS’ “Rush Road,” and said she focused on delivering what fans expect while making a 40- to 50-minute concert feel memorable.
“TWS has a clear image that both fans and the public expect,” Kim said. “I filmed it thinking about how to make a 40- to 50-minute concert impressive without damaging those expectations. People expect TWS’ bright, fresh energy, so I wanted to preserve that clean mood. Some people hear ‘VR concert’ and think of flashy CG, or feel resistant to it. If ATEEZ was a surreal, cinematic stage built around their universe, I wanted TWS to feel like a friend — making everyday spaces feel special.”
Kim said she studied the members closely, watching stage videos and behind-the-scenes content to learn their speech patterns and personalities.
“I looked up everything like a newly converted ‘SAI’ (the fandom name) — stage videos, their own content, all of it,” she said. “Watching making-of footage, I studied what the members are like and what they say. When you look at TWS, it feels like ‘Animal Crossing.’ Like their music, they often use clear, pretty words and expressions, so I tried to bring that out.”
Some fans, she said, welcomed that the film did not over-polish the performance and instead kept a more live feel — including overlapping or stumbling comments and small details such as Dohoon’s untied shoelace.
“One of the best parts of a concert, for me, is watching the members’ relationships during the talking segments,” Kim said. “At a real concert there’s back-and-forth with the audience, but VR is inevitably one-way. Even so, I didn’t want it to feel like they were reading a script. I hoped their personalities and the group’s mood would come through not only in the live sections but also in the comments. Even if it wasn’t perfect, I wanted it to feel like they were speaking directly to me and guiding me, rather than reading a prompter. I explained that to the members, and they understood.”
Kim said that natural feel came from the members’ attitude. She briefed them on what VR would be like — an experience with no blind spots, as if the fan’s favorite member is right in front of them — and said TWS prepared more diligently than expected.
“I told them first that it’s not watching a stage from far away — it’s right in front of you, with no blind spots,” she said. “They were so sincere. If I sent references the day before, they practiced each one and even filmed themselves on their phones. That made filming very smooth. There were moments where Youngjae in the middle or Kyungmin at the end made small mistakes in their comments, but they played it off cutely and the members naturally covered for each other. I think that’s part of the charm. Even if something is a bit unpolished, how you handle it matters more, and I think we captured TWS’ fresh, early-debut atmosphere.”
Kim said she prioritizes a “real-life” look, paying close attention in DI (color grading) and background compositing to how artists appear on stage and how light falls on their faces.
“I care about the experience of seeing the artist in person, so I put a lot of effort into DI and background compositing,” she said. “Some scenes were reflected in the TWS VR concert — like when the sun rises and sets, or fireworks go off, and the artists’ faces are tinted by that light. I wanted it to feel realistic. But I saw feedback like, ‘The skin looks too white,’ or ‘There was too much retouching.’ Even when we didn’t raise the whites or add heavy correction, some people felt that way, which surprised me.”
She said the backgrounds and spaces were designed with the same goal: that viewers leave feeling their day became a little more special because of TWS, without breaking the flow between songs.
“I wanted people to feel, ‘Today became special because of TWS,’ so we used backgrounds like a bright daytime scene, a pretty golden hour sunset and a night sky with an aurora,” Kim said. “We also built special miniature-like spaces — a hip graffiti-covered spot and a room with a fresh vibe. I didn’t want the transitions between songs to feel abrupt or break immersion.”
Kim said what stood out most in preparation was the members’ initiative. She said VR is not completed by backgrounds and effects alone; the key is how the artist’s live performance and movement are captured from the viewer’s perspective.
“TWS is a team I want to brag about to the whole world,” she said. “In VR, backgrounds and effects matter, but how you capture the artist’s live performance and movement is crucial. Just designing camera animation so the viewer’s field of vision isn’t uncomfortable takes two to three months. We do choreography test shoots, camera guides and simulations before the main shoot, and TWS was the first artist to participate so actively in that preparation. They watched senior artists’ VR videos and kept studying how they should appear, and they practiced in a planned way down to fingertip details. Members like Jihoon, Kyungmin and Youngjae, who are interested in performance and choreography directing, actively shared opinions from the test-shoot stage. Among the artists I’ve filmed, it’s rare to see a group think through camera guides, blocking, facial expressions and details like this. It was a project filled with that level of thought, and we plan to release a making-of video later through a YouTube channel.”
Kim said making a VR concert ultimately comes down to what emotion it leaves with fans — not just a well-made product, but an experience that offers comfort and renewed energy.
“People tell us, ‘I got the strength to live today after watching our film,’ and I’m truly grateful,” she said. “At a stage greeting, Shinyu once said, ‘I hope the SAI who leave after watching this become special,’ and I feel the same. Since people made the effort to come, I hope they gain ‘the strength to live today’ from watching any artist, including TWS. That’s the mindset I bring to the project.”
Kim said the members also hoped the VR concert would help break assumptions — about both the group and the format.
“One thing they said that stayed with me was that they prepared so hard, and they hoped fans would recognize that effort,” she said. “TWS is strongly associated with a bright image, but if you look at their B-sides, the performances are strong and they sing live really well. The members were thinking a lot about how to show that. At the same time, they knew there are prejudices about VR, so they said they wanted to break prejudices about TWS and about VR together. It impressed me that they kept thinking through and revising details to make a show anyone could watch comfortably.”
* This article has been translated by AI.
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