Director Lee Ji-won’s latest film, 'Bigwang,' showcases his signature style, evident even before the credits roll. The film captures the temperature, humidity, and seasonal atmosphere, reflecting the intensity and authenticity that permeate his work. Following his acclaimed film 'Miss Baek,' Lee returns with 'Bigwang,' which delves into themes of solidarity and redemption amidst the struggles of those who have fallen from grace.
The story revolves around Jung-gu (played by Ryu Seung-ryong), a former star of Korean baseball, and Nam-mi (played by Ha Ji-won), a once-celebrated actress. Their lives take a dramatic turn when Jung-gu's daughter, Dong-joo (played by Kim Si-ah), suddenly appears, leading to their downfall. As they navigate their separate lives, they are drawn back together to save Dong-joo, who has become a prime suspect in the death of a middle school student. They soon realize that the traumatic events from eight years ago continue to haunt them.
The title 'Bigwang' reveals its true meaning only at the film's conclusion. In the context of the game of hwatu, 'bigwang' is a type of card that, while considered a 'light' card, is essential for completing a set of five. It symbolizes how individuals, who may seem incomplete on their own, shine when they come together. The characters in the film embody this notion; each carries their own wounds and deficiencies, but when united, their collective strength becomes evident.
This theme of solidarity and redemption resonates with Lee Ji-won’s ongoing exploration of these narratives. In 'Miss Baek,' two individuals saved each other from societal neglect, while in 'Bigwang,' a fractured family reunites to protect one another. The portrayal of characters who, despite being pushed to the brink, refuse to turn their backs on each other, deeply resonates with audiences. Even in moments of despair, Lee ensures that hope remains alive, emphasizing the belief that someone can always reach out to another.
Lee’s distinctive use of space and season is also prominent in this film. Key locations, such as the Woorimcheon Bridge and Jung-gu's corridor-style apartment, serve as more than mere backdrops; they reflect the characters' tumultuous lives. The imagery of falling from heights and navigating endless tunnels parallels the struggles faced by the characters. While 'Miss Baek' conveyed a sense of desolation through a winter setting, 'Bigwang' immerses viewers in the oppressive weight of summer, mirroring the characters' burdens.
The film's vibrant characters are another strength of 'Bigwang.' Jung-gu, Nam-mi, and Dong-joo are portrayed with a vitality that makes them relatable, as if they could be encountered in everyday life. Their surrounding family members, initially appearing as a burdensome presence, reveal a charming warmth through their bickering and interactions. The audience finds themselves drawn to this endearing yet chaotic family dynamic, which is a testament to the film's emotional power.
The ensemble cast fortifies the film's intense narrative. Ryu Seung-ryong and Ha Ji-won command the screen with unprecedented performances, while Kim Si-ah, reuniting with the director after 'Miss Baek,' delivers a compelling portrayal that anchors the story. The addition of Kim Hae-sook, Kim Sun-young, and Kim Young-min enhances the film's depth, their mere presence shifting the film's atmosphere. 'Bigwang' is set to hit theaters on September 2, with a runtime of 109 minutes and a rating of 15 and older.
* This article has been translated by AI.
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